Thursday, May 30, 2013

Launch of Muse

My friend Dan Wells and myself at the launch of Muse at Biblioasis. His introduction was sweet :)

Wednesday, May 22, 2013

Publishing Grief

The launch for my first poetry collection is only a week away. I thought I would be overcome with joy; and yet, I have conflicted feelings, in no small part due to the fact that I’ve lived with this manuscript for over a decade. Started in 2000, this book has been a long process with numerous edits and versions. With the pub date imminent, I thought I’d feel relief, but instead I’ve oscillated between panic and anxiety. It got me thinking about the publishing process and how emotionally invested authors become. As a publisher, I have always been on the other side, bolstering newbie poets. But despite my inside knowledge of publishing, I still feel… vulnerable. I know that the majority of people could care less that I wrote a poetry book, and that the people who do attend my book launch are probably friends and relatives that support me—and yet the rational part of my brain has been overwritten by panic. I’ve always done my own thing and never much worried about what others thought, and I’ve walked into enough glass doors, rolled down stairs, and in my clumsy way made a fool out of myself—that if I ever was easily embarrassed, I quickly got over it. So if I am not worried about judgment and looking like an idiot—then why am I so apprehensive? It is true that I don’t want to publicly read, but that has more to do with my anxiety over public places—the crowds and noise. But I am fairly confident about the work, right? But that is just it. And then I realize what the feeling is that I can’t quite place—loss. I don’t want it to be over. A printed book is final. No changing it now. Done as done can be. For thirteen years I wrote, edited, loved, fought with, and re-wrote this book. And now that creative endeavor has come to an end. With that in mind I have written the (mostly tongue in cheek) five stages of publishing grief:

DENIAL: This first stage allows authors to survive the loss of a “working” manuscript. The fact that we can no longer edit the manuscript is almost unbearable. We feel that it isn’t finished yet, although there will probably never be a time when it does feel ready. But we tell ourselves that we must let go—usually this happens when the publisher rips it from our hands.

ANGER: … but I still need to do more research… but if I had just a little more time I could read that book on 19th century portraiture.

BARGAINING: … if you give me another month, I’ll trim it by eight pages.

DEPRESSION: … Oh, why bother, no one cares about a woman who lived a century ago… no one really cares about poetry anyway.

ACCEPTANCE: Boxes arrives on the author’s doorstep and inside are books. Excitement re-energizes. In this final stage authors begin to re-asses their goals and begin anew. The thought of a new project seems distantly appealing.

Wednesday, May 15, 2013

Sharon McCartney's book launch

Using weightlifting as a metaphor to explore the poet’s inner world and her romantic attachments, McCartney both reinforces and undermines the transcendence of love.

So isn't it fitting that she should launch her poetry collection
at a Crossfit?

Saturday May 25th Launch @4pm.
Crossfit Fredericton
659 Queen Street (behind Lord Beaverbrook Hotel)
Fredericton, New Brunswick

Tuesday, May 7, 2013

Tightrope Books and Biblioasis launch Muse

I will be launching Muse Tuesday May 28th at 7pm at Biblioasis bookstore. All are welcome, unless you heckle—then please stay home.

Muse explores the concepts of influence, creativity, and gender by evoking the tragic figure of Elizabeth Siddal. As a model, then pupil, she married the Pre-Raphaelite artist Dante Gabriel Rossetti, and although an artist and poet in her own right, Siddal is best known as a Victorian muse and the inspiration for her husband’s paintings. In sensual and evocative language, Kresan holds nothing back, shifting voices and perspectives, and encompassing a wide range of emotions—from Siddal’s loss and heartbreak over her stillborn daughter to the poet’s lighthearted reproach of Hunt’s depiction of The Lady of Shalott. Compelling and inventive, Muse is a welcome debut.

“Kresan turns Robert Graves’ well-known words—“Woman is muse or she is nothing”—inside out and upside down. If Siddal has been seen as a Victorian supermodel, all surface and beauty, then Kresan complicates the perceptions, painting over pre-conceived notions, and refocusing attentions... [she] takes us on delightfully imaginative flights of fancy where her subject interacts with Marilyn Monroe, Sylvia Plath, Robert Graves and even the author herself.” —Shawna Lemay

“In her ambitious debut, Dawn Kresan turns a feminist legend inside out with ventriloquizing poems that voice Elizabeth Siddal’s anxieties and griefs so fiercely she seems to be writing for her own life.”  —Carmine Starnino

“An absolute delight to lovers of ekphrasis, the pre-Raphaelites, and those interested in reclaiming the historical lives of often self-doubting, self-sacrificing and side-lined women. These voluptuous poems hum with invention, wit, and spot-on imagery, announcing the arrival of an accomplished poet.” —Ruth Roach Pierson

Thursday, May 2, 2013

Detour to Kingsville

rEvolution gallery + studio presents
a reading from Detours: An Anthology of Poets from Windsor & Essex County

Readers include: Alex Gayowksy, Marty Gervais, Mary Ann Mulhern,
Stephen Pender, Robert Earl Stewart

THURSDAY MAY 16th, 7pm
5B Main Street East.
Kingsville, ON.
Tel: 519-800-6923